![]() ![]() I’ll finish this off with this Wikipedia entry from the Rolling Stone review which described it as a “Day with the McCartneys” concept album. But it stays in that piano and vocal sound for the full 3 minutes and it does get a boring. It’s got this traditional sea pub groove happening with vocals from Paul.Ī piano riff starts it off, a mixture of “Hey Jude” and “Let It Be”. Vocals are provided by drummer Joe English. “Play for the song, not for the glory” comes to mind here. The lead break that kicks in after the harmonica solo is simple, more or less playing the chords with a single note on the higher strings. It rules while the guitar just plays chords. The groove on this song connects immediately. My second favourite just behind “Beware My Love”. Before a 12 bar blues riff kicks in and Linda McCartney starts singing. The sound of a frying pan starts it all off. Vocals are provided by the McCartney’s and Laine. But its soul ballad rock just doesn’t connect. It is one of the most listened songs from the album at 60.6 million streams. It rolls along nicely, giving space for the vocal melody to lead. I like the acoustic guitar strummed riff. Great title, it sounds like a Sammy Hagar owned pub. The 70’s acts all experimented with structures and different musical movements. When you get the 2 minute mark it’s almost unrecognisable. Press play to hear it.Īnd it goes through many musical movements. The feel good upbeat feel of the song and the title just don’t resonate. It is typical of the era, with hints of blues, gospel and soul all wrapped up in a ballad like groove with various 70’s sound effects lightly playing in the background. ![]() Written by the McCartney’s with vocals from Denny Laine. The McCartney’s are welcoming you in to their house. I knew Paul and Linda McCartney were in the band but had no idea who else was.Ī quick Wikipedia search showed that Denny Laine is on vocals, acoustic/electric/bass guitars, piano and harmonica, Jimmy McCulloch is also on vocals and acoustic/electric/bass guitars and Joe English is on vocals, drums and percussion.Ī door bell like sound starts off the song before a simple drum groove with a locked in bass line rolls in with piano chords on each start of a new bar. Wings came into my life because of “Live And Let Die”. How Has It Aged: Devin Townsend Project – Transcendenceĭestroyerofharmony on The Record Vault: Dream Theate…īigbadburch on The Record Vault: Dream Theate…Ģloud2oldmusic on The Record Vault: Dream Theate…ĭestroyerofharmony on Getting Older on YouTube.The Record Vault: Dream Theater – Official Bootleg: STUDIO Series: The Making Of Scenes From A Memory.The Record Vault: Dream Theater – Live At Budokan.Enter your email address to follow this blog and receive notifications of new posts by email. ![]()
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